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Wilde Ginger


hughxjackman:

Some things will never change…

dogapult:

today papa john’s called my starbucks and they were like “are u guys interested in a trade” and five frappuccinos later they gave us two large pizzas and a large order of cheesy bread




gerardwaysgay:

does-anything-matter:

i-found-happiness-in-misery:

Oh smosh….

it’s the ‘PLS RESPOND’ that gets me

GERARD DAY


concernedresidentofbakerstreet:

fuckyeahvintage-retro:

Blouse Collars, 1940s-50s - By Charlotte Dymock.

there was a lot of bullshit in the forties and fifties but the style was not part of it

whumf:

we’reくコ:彡 entering squid territory


 
くコ:彡
                                                                     
くコ:彡 

                            
くコ:彡 
くコ:彡


                                                      
くコ:彡

                         
くコ:彡
くコ:彡




eldiablocabra:

i-wanna-build-a-sn0wman:

flawlessspecter:

hiccuptherunt:

sakurasunshine:

keep-calm-and-disney-on:

HERCULES IN THE 2ND GIF OMFG

THIS IS ACTUALLY REALLY IMPORTANT THOUGH

Hercules is THE DEFINITION of a gentleman. Her dress strap slips down and HE PUTS IT BACK UP because he’s like “No, she’s a lady, she deserves my respect. Control yourself. Leave, just leave.”

Imagine if all guys/girls had that much respect for people they were attracted to…the world would be a lot better and safer, I can tell you that.

Also have to remember he’s never had a girl actually hit on him before.

2nd gif: #zeUS TAKE THE WHEEL #I NEED AN ADULT #WHAT AM I SUPPOSED TO DO WITH THIS

if zeus took the wheel this would have ended much differently

HEY WHATS UP?! WANNA BANG??!!


dredsina:

I decided to make a style from every decade of the modern era (1920s-2000s) using these basic ideas:

  • Formal white shirt
  • Black skirt
  • Pantyhose (except the 70s one doesn’t have pantyhose)
  • Black shoes

Fun and challenging! It’s a little inaccurate, but EH. This was an exercise, not a published essay thingy.


While the context and narrative itself sets up obstacles, the film often uses visuals to help express Clarice’s status in the order of things. A recurring visual motif is Clarice surrounded by taller men, dwarfed and brought down by their stature. Yes, Jodie Foster is a short woman, just a few inches over five feet, but the film often exaggerates that discrepancy to express her challenge in overcoming a patriarchal society that literally looks down on her. […]

The film camera also never objectifies Clarice. Throughout the film she is presented as an object of the male gaze by the characters in the narrative, but the camera does not assume this perspective of the male look until the end of the film. It’s at this point then that Clarice punishes and banishes the male gaze for objectifying her. [x]


meganmachine:

idontfindyouthatinteresting:

THIS IS BEAUTIFUL

FOUR FOR YOU CHILTON YOU GO CHILTON




batman-nolanverse:

image


progressivefriends:

progressivefriends:

FDR would never get near the presidency today


phunkyvanspam:

kateordie:

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Ginger and Proud.





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